Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Sight & Sound Presents the New Hollywood's icon

    Sight & Sound Presents the New Hollywood

    Favs/dislikes: 3:0. Part of a new series launched by Sight & Sound magazine, providing an in-depth exploration of the new Hollywood movement. Volume 1: 1967-1975 Volume 2: 1975-1980
  2. Six Feet Under's icon

    Six Feet Under

    Favs/dislikes: 3:0. Six Feet Under is an American drama television series created and produced by Alan Ball. It premiered on the premium cable network HBO in the United States on June 3, 2001 and ended on August 21, 2005, spanning five seasons and 63 episodes.
  3. Skandies Best Picture's icon

    Skandies Best Picture

    Favs/dislikes: 3:0. Films that made the top 20 of the annual Skandies poll of select film critics/enthusiasts. This list covers 1996 (the first year a top 20 list was published) to 2013.
  4. Slant Magazine's 100 Greatest Music Videos of All Time (2003)'s icon

    Slant Magazine's 100 Greatest Music Videos of All Time (2003)

    Favs/dislikes: 3:0. Two videos without an IMDb page are not included: 47. Kenna: Hell Bent 93. OutKast: B.O.B.
  5. Slant Magazine's The 100 Best Sci-Fi Movies of All Time's icon

    Slant Magazine's The 100 Best Sci-Fi Movies of All Time

    Favs/dislikes: 3:0. "These films are fearless in breaking down boundaries and thrusting us into worlds beyond our own", according to the Slant Magazine editors who curated this list in August 2019.
  6. Slant's The 100 Best Films of the 1980s's icon

    Slant's The 100 Best Films of the 1980s

    Favs/dislikes: 3:0. In 2019, Billboard teamed up with SiriusXM to determine the 500 best songs of the 1980s, with Olivia Newton-John’s 1981 pop hit “Physical” topping the list. It’s an apt choice for many reasons, foremost among them that the ‘80s, if mainstream American filmmaking from the era is any indication, might be called the decade of the body—of turning away from the more cerebral, auteurist cinema of the New Hollywood and toward star-driven genre vehicles, featuring the likes of Arnold Schwarzenegger, Tom Cruise, and Melanie Griffith, who in Brian De Palma’s delirious Body Double plays a porn star named—wait for it—Holly Body. Conventional historical accounts of the decade see this transformation through the lens of box office, as studio practices tended toward market saturation, and stardom became dependent on the potential to make viewers feel rather than think. But that narrative overlooks the plethora of small, seedy gems made by Hollywood filmmakers starring well-known actors still vying to challenge audiences with daring visions of the modern world. Such as William Friedkin’s Cruising, Michael Mann’s Thief, and Martin Scorsese’s After Hours, whose nocturnal animals discover new, and often unwanted, shades of themselves while moving through city streets. If the neon-lit cityscape is an essential image in ‘80s films for the way it expresses the allure and danger of living by night, it also points up how a fear of AIDS—and its association with city life—leapt into the collective consciousness. Maybe that’s partly why Ridley Scott’s Blade Runner seems to epitomize ‘80s aesthetics for many: The replicant, whose body often looks like an ideal and healthy human, is actually a machine. The city, though, need not be essential for the metaphor to work. In fact, author John Kenneth Muir argues that, in a film like John Carpenter’s The Thing, which is set in Antarctica, the necessity of a blood test to determine “what is really going on inside the human body” could be understood as a direct reference to the AIDS epidemic. If that potentially sounds like a grim diagnosis of the decade’s films, it actually points to the vitality of the decade’s cinematic artistry, as filmmakers from across the globe emerged to share their haunted visions of sex, music, and voyeurism. In France, Jean-Jacques Beineix, Leos Carax, and Luc Besson each helped create cinéma du look as a hybrid strain of popular and art cinema with a lush visual style. Meanwhile, aging master Robert Bresson was making his last (and arguably finest) film. In Canada, David Cronenberg showed us how exploding heads, penetrative home video, and wayward twin gynecologists could encapsulate various maladies of the times. And in Taiwan, Edward Yang and Hou Hsiao-hsien were at the forefront of New Taiwanese Cinema, diagnosing the twin poles of urbanization and globalization as they started to define contemporary life. The number of singular filmmakers who emerged in the decade is extensive. Auteurs such as Abbas Kiarostami and Souleymane Cissé created works that helped further introduce the realities of their respective countries to audiences around the globe, while, back in the U.S., Lizzie Borden and Donna Deitch were making their first feature films, each of which has endured as a classic of queer cinema. The decade’s films help us understand that, in order to see all titles of consequence, one needs to remain open to movies playing at the multiplex, the arthouse, and the grindhouse. The latter includes numerous slasher films, itself a subgenre enamored with the dangers and pleasures of the flesh. We must remember that, sometimes, wisdom comes from unlikely places, so consider this seemingly throwaway line from 1982’s The Slumber Party Massacre as words to live by: “It’s not the size of your mouth; it’s what’s in it that counts.” Clayton Dillard Published on April 23, 2020 By Staff
  7. Slant's The 100 Best LGBTQ Movies of All Time's icon

    Slant's The 100 Best LGBTQ Movies of All Time

    Favs/dislikes: 3:0. Cinema isn’t the sole mechanism for making our presence known, but it can be among the most powerful. Published on June 18, 2020 This list includes all versions of Slant Magazine's LGBTQ movies. View the list history to find the previous versions. All lists are chronological. V1: "[url=https://www.slantmagazine.com/film/50-essential-lgbt-films/]50 Essential LGBT Films[/url]" June 27, 2013 (also the same as [url=https://www.icheckmovies.com/lists/slant+magazines+50+essential+lgbt+films/sandero/]SanderO's icm list[/url]) V2: "[url=https://web.archive.org/web/20160625005638/http://www.slantmagazine.com/features/article/the-greatest-lgbtq-films-of-all-time]The 75 Greatest LGBT Films of All Time[/url]" June 21, 2016 V3: "[url=https://web.archive.org/web/20190608010804/https://www.slantmagazine.com/film/the-100-best-lgbtq-movies-of-all-time/]The 100 Best LGBTQ Movies of All Time[/url]" June 7, 2019 V4: "The 100 Best LGBTQ Movies of All Time" June 18, 2020 (current version) Original Intro: "You’ve sported a red equal sign on Facebook, watched Nancy Pelosi show Michele Bachmann her politically correct middle finger, and read some of those other lists that have compiled lesbian, gay, bisexual, and transgender (LGBT) films, hailing usual suspects like High Art and Brokeback Mountain as gay equivalents of Vertigo (oh, don’t Citizen Kane me; we’re talking regime upheaval here). Now, as you continue to celebrate the crushing of DOMA and Prop 8 (and toss some extra confetti for Pride Month while you’re at it), peruse Slant’s own list of LGBT movies you owe it to yourself to see. Curated by co-founder and film editor Ed Gonzalez, this 50-wide roster is a singular trove of queer-themed gems and classics, spanning the past eight decades and reflecting artists as diverse as Kenneth Anger, Derek Jarman, and Rainer Werner Fassbinder. You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash, Ira Sach’s The Delta, David Lynch’s Mulholland Drive, and Céline Sciamma’s Tomboy. Consider the list a hat tip to what’s shaped up to be a banner LGBT year, particularly on screen, with lesbian romance Blue Is the Warmest Color taking top honors at Cannes, and Xavier Dolan releasing the masterful Laurence Anyways, which also made our cut. R. Kurt Osenlund" Second Intro: "Last week, in the aftermath of the attack on Orlando's Pulse nightclub, one call to action rose above the din: “Say their names.” New Yorkers chanted it steps from the Stonewall Inn. The mother of a child gunned down at Sandy Hook penned it in an open letter. The Orlando Sentinel printed the names. Anderson Cooper recited them. A gunman murdered 49 people and wounded 53 others in the wee hours of that awful Sunday, massacring LGBTQ people of color and their allies in the middle of Pride Month, and the commemoration of the dead demanded knowing who they were. “These,” as MSNBC's Lawrence O'Donnell urged his viewers, “are the names to remember.” In the midst of mourning, the titles herein seem to me more essential than ever, a globe-spanning, multigenerational testament to our existence in a world where our erasure is no abstraction. From Carl Theodor Dreyer's Michael to Todd Haynes's Carol, naming and seeing emerge, intertwined, as radical acts—acts of becoming (Sally Potter's Orlando) and acts of being (Shirley Clarke's Portrait of Jason), acts of speech (Marlon Riggs's Tongues Untied) and acts of show (Jennie Livingston's Paris Is Burning) that together reaffirm the revolutionary potential of the seventh art. “My name is Harvey Milk,” the San Francisco supervisor, memorialized in Rob Epstein's The Times of Harvey Milk, proclaimed in 1978, less than one year before his assassination. “And I'm here to recruit you!” The cinema isn't the sole mechanism for making our presence known, but it can, if the films listed below are any indication, be among the most powerful, projecting the complexities of the LGBTQ experience onto the culture's largest, brightest mirror. There's rage here, and also love; isolation, and communal spirit; fear, and the forthright resistance to it. These films are essential because we are essential: The work of ensuring that we aren't erased or forgotten continues apace, and the struggle stretches into a horizon that no screen, no matter its size, can quite capture. But this is surely a place to start. Matt Brennan" Third & Fourth intros are essentially the same.
  8. Slapstick Encyclopedia's icon

    Slapstick Encyclopedia

    Favs/dislikes: 3:0. This list features all the movies, that are to be found in their full length on the 'Slapstick Encyclopedia' DVD release.
  9. Sofia Coppola Filmography's icon

    Sofia Coppola Filmography

    Favs/dislikes: 3:0.
  10. Soundvenue's 25 Best Danish Movies of the 21st Century's icon

    Soundvenue's 25 Best Danish Movies of the 21st Century

    Favs/dislikes: 3:0. Voted on by 115 people from the Danish film industry.
  11. Soundvenue's 50 Best Foreign Films of the 21st Century's icon

    Soundvenue's 50 Best Foreign Films of the 21st Century

    Favs/dislikes: 3:0. As voted on by 115 people from the Danish film industry.
  12. Speciesism: The List (veganism, animal rights)'s icon

    Speciesism: The List (veganism, animal rights)

    Favs/dislikes: 3:1. Watching in progress. And trying to get some order going here: 2nd list is narrative movies with some anti speciesist message 3rd list is remaining single issue campaign videos and such Individual pages for movies sometimes contain links to videos. Also, go to External sites on IMDb. Here's only some key YouTube videos that don't have an IMDb page and are therefore not listed below: https://www.youtube.com/playlist?list=PL44rhXlVO83RD5n_tiLo4kpnLWmfCOsM0 THROUGH VEGAN EYES 30 days, 30 excuses [series] DxE Cassie's Real Reviews [series] PHILOSOPHY - Ethics: Killing Animals for Food What's Wrong With Eggs? The Truth About The Egg Industry DAIRY IS SCARY! The industry explained in 5 minutes The Wool Industry EXPOSED (What They Don't Want You To Know) UNBELIEVABLE! Horse Racing Exposed: From Cradle to Grave Carriage Horse Controversy: Tradition or Cruelty? Best Speech You Will Ever Hear - Gary Yourofsky (aka The Most Important Speech You Will Ever Hear aka Georgia Tech) Palestinians, Blacks and Other Hypocrites - Gary Yourofsky How Many Animals Are Killed Every Year? 7 Year Old Doesn't Want To Eat Meat Why I'm Still Vegan - by Freelee The Humane Paradox Leather is not Vegan, Humane, or Healthy EVERYTHING WRONG WITH ANIMAL RIGHTS : Bob Linden Is Francione Right? Do Issue-Driven Campaigns Hurt Veganism? Do I have to love animals to go vegan? If VEGANS Acted on MEAT EATERS' Moral Values Can Vegans Eat Eggs From Backyard Chickens? VEGGANS?! Antibiotic Resistance A Horror Story Waiting To Happen Social experiment: Ask me why - Chiedimi perché Shit Speciesists Say Colleen Patrick-Goudreau, "I Don't Eat Fake Meat: an Etymological Appeal to Compassionate Living" Song A Day #810: Vegan Myths Debunked Do Other Animals Experience Life? (Non-Graphic Vegan Outreach Footage, Narration by Dr Tom Regan) TOP 20 ARGUMENTS FOR VEGANISM Abortion and Veganism, Revisited Vaush on Veganism: Any Purchase is Justified Under Capitalism! The Stigmatization of Veganism as a Social Justice Movement: Exploring Why The Left Hates Veganism Animal Ethics channel Animal-eating propaganda shorts (from How BIG MEAT and DAIRY Fooled You): Eat for Health Meats With Approval (not on IMDb) Got Milk: Aaron Burr This is Hormel (available with MST3K) Home on the Range (1946) The Chicken of Tomorrow (available with MST3K) This is the Dairy Industry (not on IMDb) Very outside mentions: Malcolm in the Middle (has a surprising amount of vegetarian moments like in the Malcolm's Job episode) Penn & Teller: Bullshit!: P.E.T.A. (speciesist who's vegan now, on PETA. not for the feint of heart) The Rise and Rise of Animal Rights (right wing docu) Cool article on Obedience (Milgram experiment): https://verdict.justia.com/2018/03/28/united-airlines-milgram-experiment potential updates https://letterboxd.com/search/animal+rights/
  13. Spike Jonze filmography's icon

    Spike Jonze filmography

    Favs/dislikes: 3:0.
  14. Spike Lee Filmography's icon

    Spike Lee Filmography

    Favs/dislikes: 3:0.
  15. Stacker's 100 Best International Movies of All Time's icon

    Stacker's 100 Best International Movies of All Time

    Favs/dislikes: 3:0. WRITTEN BY: Molly Pennington April 24, 2021 From 'Metropolis' to 'Parasite': 100 best international movies of all time International cinema has always had a profound influence on American movies. At the same time, many of the great films in languages other than English retool the styles and genres of popular American movies. Have you ever forgotten you were reading subtitles as you were swept up in the action on screen? Westerns, film noirs, and even romances tap into universal visual languages of movement, action, and emotion that draw in worldwide audiences. Stacker’s list of the 100 best international movies includes the science fiction masterpiece of German Expressionist style, “Metropolis,” with its epic, futuristic city and iconic robot gone bad. You’ll also find the smash hit “Parasite,” a taut thriller from South Korea that captured acclaim across the globe for its suspenseful, tragicomic look at two families from different classes. We feature work from major auteurs of European cinema like Jean-Luc Godard and François Truffaut of the French New Wave, Vittorio De Sica of Italian neorealism, and Spanish surrealist Luis Buñuel. Our list also includes major Japanese masterpieces from Akira Kurosawa, Masaki Kobayashi, and Hirokazu Koreeda, Hong Kong cinema’s Wong Kar-wai, Tawainese auteurs Ang Lee and Edward Yang, and contemporary films from South Korea’s Lee Chang-dong and Bong Joon-ho. International cinema often has a political or philosophical bent—a rebel core—as it frequently explores the human condition within histories of oppression. While African cinema and women directors are underrepresented on this list and across the international film festival circuit, Céline Sciamma’s “Portrait of a Lady on Fire” from France in 2019 masterfully reinvents ideas around gendered gaze. Get ready for films you’ve heard about and obscure gems that just may become your new cinematic obsession. Stacker compiled data (from July 2020) on all international movies to come up with a Stacker score—a weighted index split evenly between IMDb and Metacritic scores. To qualify, the film had to be directed by a non-American, be primarily in a language other than English, have a Metascore, and have at least 5,000 votes. Ties were broken by Metascore, and further ties were broken by IMDb user rating. Stacker’s list combines the scores from critics and audiences to give you a sense of a movie’s greatness. Check out our list to see what you’ve already watched—and what great and underappreciated must-see to add to your watchlist.
  16. Stacker's 110 Monumental Movies from Film History's icon

    Stacker's 110 Monumental Movies from Film History

    Favs/dislikes: 3:0. From the article "110 monumental movies from film history and why you need to see them". The priority in making this list was to create a holistic collection of significant films throughout history, meaning blockbuster epics and art-house favorites alike. Numerous academic sources were reviewed, as were a full slate of directors, genres/subgenres, decades, countries, trends, technical achievements, themes, narrative devices, and more.
  17. Stanley Kubrick Movies's icon

    Stanley Kubrick Movies

    Favs/dislikes: 3:0.
  18. Stephen Chow Filmography's icon

    Stephen Chow Filmography

    Favs/dislikes: 3:0. A chronological list of all films directed by Stephen Chow
  19. Stephen Daldry Filmography's icon

    Stephen Daldry Filmography

    Favs/dislikes: 3:1. All films made by Stephen Daldry
  20. Stephen Fry Filmography's icon

    Stephen Fry Filmography

    Favs/dislikes: 3:0.
  21. Steve Zahn Filmography's icon

    Steve Zahn Filmography

    Favs/dislikes: 3:0. Filmography of character actor Steve Zahn.
  22. Steven Spielberg movies's icon

    Steven Spielberg movies

    Favs/dislikes: 3:0. Every feature-length movie directed by Steven Spielberg.
  23. Stockard Channing Filmography's icon

    Stockard Channing Filmography

    Favs/dislikes: 3:0.
  24. Storyville Documentaries's icon

    Storyville Documentaries

    Favs/dislikes: 3:0. Attempt to compile a broadcast-order list of Storyville episodes based on a list compiled on feelinglistless blog and from BBC site. See the IMDB list linked for akas used by the program (often they retitle/re-edit the documentaries, I've tried to make the list of the originals). Note Aug 2019 - BBC have recently started a sub-strand of Storyville on BBC Three. I've included them (529-533 are the first I'm aware of) --- A number of episodes I cannot match to an IMDB entry. Any help on any of these appreciated: 1999 Resurrection (Thomas Stenderup) 2000 Genocide: The Judgement (Michael Christofferson) Norman Mailer Oh My America (Richard Copans) 2001 RUEU? (Nick Fraser) Romancing the Throne: Prince Mohato An Unquiet Peace. Photojournalist Nick Danziger Life and Death in Soweto 2002 Baria's Big Wedding Meeting My Daughter (Thomas Heurlin) More Than a Life (Luke Holland) Greedy in Thailand (Pascal Vasselin) Sincerely Yours (Dumisani Phakathi) Kabul ER The Somme (episode/edit? from The Great War) 2003 My Life as a Spy (Leslie Woodhead) 2004 Who Am I Now? (Clio David) My Louis Armstrong Years (Mohamed Kounda) Germany Behind the Wall Death at the Crossroads The Fight (Barack Goodman) 2005 Small Pain for Glory A Very English Village (Luke Holland) Sitting for Parliament (John T Davis) 2006 Albert Maysles The Poetic Eye (Luke Holland) 2007 The Madrid Connection (Justin Webster) Why Democracy: Egypt We are Watching You 2008 Bob Dylan's Indian Birthday The Bonzos 2009 Angels of Rio 2010 Shanghai Tales: All About My Friends Shanghai Tales: First Period 2011 Meet the Climate Sceptics (Rupert Murray)
  25. Strange Ones's icon

    Strange Ones

    Favs/dislikes: 3:0. This is a personal list of some of the weirder and more disturbing movies I've seen.
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